Copyright © 2004 Pollock Gallery
As a child, McIlroy
demonstrated a natural graphic ability but was never encouraged to pursue art
professionally. For someone with such
considerable early talent it is surprising then that it is only in the last two
years that McIlroy seriously considered art as a career and moved to painting
full-time. On the other hand, it is perhaps understandable for a man of his
generation and the pressures he faced as an academically successful student who
was told he was better cut out for a ‘real’ profession.
Since his return to his original passion, he has come along way in the notoriously hard to crack art world. Initially, he established a studio above his local pub in Richmond ,Melbourne in 2002. During this time McIlroy quickly experienced but appreciated the messy realities of being a struggling artist. As he says:
“The paintings would hang on out of the way walls or in closed off stairwells to actually dry sometimes. This was almost a short lived tenancy when a local felt compelled to run his hand over the texture of the painting – discovered it was wet and wiped his hands on and around the remaining pub walls.”
After originally
focussing on a more traditional style of landscape – the hallmark of the
Australian tradition – his work matured quickly and demonstrated an originality
that makes defining his work within the conventional constraints of such a
tradition elusive.
McIlroy’s work is
indicative of a more sophisticated reinvigoration of the landscape which is
gaining force in contemporary art circles.
His aims as an artist
are modest. In his own words:
“I hope to make people pause for just a moment or go about their day with my painting in the background. I enjoyed watching people move beneath my paintings as they hung about the pub walls below my studio. My inspiration is usually as simple as to make something tangible, lasting and relevant. I focus my painting on familiar genres to achieve this and to ensure my paintings do not evolve away too far from the Australian milieu.
A selection of the catalogue
follows:
Click on an image for
a larger view… for any information call or e-mail
us
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Lane Cove River Oil on canvas 96 x 120 cm $2300 |
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Burning Mountain 1. Oil on canvas 96 x 120 cm $2300 |
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BlackBird Over Hill Oil on canvas 80 x 96 cm $1500 |
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Dusk 2 Oil on canvas 80 x 96 cm $1500 |
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Howqua River Valley Oil on canvas 150 x 150 cm $3200 |
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Howqua River Road Oil on canvas 150 x 120 cm $3000 |
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Woolamai Oil on canvas 150 x 120 cm $3000 |
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Hawkesbury Oil on canvas 124 x 100 cm $2000 |
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Dusk Hawkesbury Oil on canvas 96 x 120 cm $3000 Sold |
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Lake Eyre Oil on canvas 185 x 160 cm $3500 |
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Dusk 1 Oil on canvas 80 x 96 cm $1500 |
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Fire Cometh Oil on canvas 96 x 128 cm $2500 |
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Best Mates Oil on canvas 30 x 40 cm $500 |
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Portrait of a Rabbi Oil on canvas 83 x 62 cm $POA |
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Buddhist Nun Oil on canvas 62 x 52 cm $1000 |
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Solo Exhibitions
August 2005 Pollock
Gallery, Melbourne (with Daryl Turner)
March 2005 Salt,
Sydney
October 2004 Gaia,
Melbourne
Group Exhibitions
December 2004 Director’s
Choice, Richard Martin Art, Sydney
December 2003 Windows on Church Galleries, Melbourne