Copyright © 2004 Pollock Gallery
JEAN BAGGALEY
Jean was born in Staffordshire, England and
educated at Newcastle School of
Art,Stafford College of Art,Southend School of Art and South Illinois
University School of Art. Jean migrated to South Australia and her first exhibition
was at Llewellyn Galleries in 1971 and has continued exhibited regularly in
both solo and group exhibitions and has been exhibiting at our gallery since
2000.
Jean works primarily
with oils on canvas, adding strips and pieces of canvas for a collage effect
which gives her paintings an added dimension.Images (mostly places remembered
from the many travels through France ,Italy,Spain and of course Australia) are placed in a unique and striking abstract
format and appear as fragments of the
landscape – a tree
here, a monument there, perhaps a figure in a triangle, a valley in rectangle,
a beach, some rocks.
The work is
absolutely fascinating and handled with a level of skill and confidence which
only comes from a truly fine artist.
NEVILLE PILVEN
Born in 1939, Neville
studied at the National gallery Art School and the George Bell School
(drawing). During the 60’s and early
70’s,Neville travelled to England, Spain and, later, Hydra in Greece, where he
lived, painted and continued his art studies. He then moved to London to study
Printmaking at the Morley College in 72 and returned to finally settle in
Melbourne in 1973.
Like all contemporary
modernists, Neville has engaged in the challenge to establish a succinct
Australian iconography and has been concerned with producing unconventional
modernist landscapes for about four decades.
Neville Pilven’s paintings
depend on the conceptualisation of his emotional connection to the land.The
bleak and impersonal nature of his landscapes negate human presence yet reminds
us of distant human intervention.
His large paintings
emphasise the dynamism of changing topography and the harshness of the forces
which sculpted its forms.Neville
has established himself as an authority of anti-romantic landscape painting,
denying the validity of folk myths and avoiding nostalgic reference. His selectivity and use of brooding colour
sets him apart from his contemporaries and lends his work the stamp of
authenticity.
JOHN WATERHOUSE
John was born in New
Zealand in 1933 and arrived to Australia in1949. He is a seIf-taught
semi-abstract painter. While on the staff of Monash University (1962-1969),
among other responsibilities, he was Curator of the University Art collection.
From then until 1990 he was Curator of Art works at La Trobe University and
responsible for the University Gallery and the University Collection. Since
1990 he has been a full time painter. He has taken study tours of Greece, the
United Kingdom, China and Italy. John has had
17 solo exhibitions since 1971 and participated in many group shows. His
paintings are represented in many collections :- ANZ Bank, Artbank, Australian
Council for Educational Research, Australian NationalUniversity, BP Australia,
Carnberwell High School, Canberra University, Council of Adult Education
Victoria,Deakin University, Flinders University, Glenormiston Agricultural
College, Graduate HouseUniversity of Melbourne, Kodaly Institute Hungary, La
Trobe University, McClelland Art Gallery,Monash University, Momingcon Peninsula
Art Centre, Mount Scopus College, St Patrick's College Goulburn, Melbourne Savage
Club, St Catherine's College Oxford, St Kevin's College, Strathcona Baptist
Girls Grammar School, Taylor's College, Telstra, Tintern Anglican Grammar
School,University of Melbourne, University of New England, University of New
South Wales, University of Papua New Guinea, University of the South Pacific,
University of Western Australia, Westpac Banking Corporation.
A selection of the catalogue
follows:
Click on an image for
a larger view… for any information call or e-mail
us
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Jean Baggaley Structured Plain Oil & collage on canvas 91 x 102 cm |
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Jean Baggaley Landward Prospect Oil & collage on canvas 106 x 202 cm |
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Jean Baggaley Spatial Aspect Oil & collage on canvas 101.5 x 137.5 cm diptych |
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Jean Baggaley Inveterate Abundance Oil on stitched canvas 86.5 x 76 cm |
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Jean Baggaley After the Storm Transition Oil on stitched canvas 86.5 x 76 cm |
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Jean Baggaley Homogenous Shoreline Oil on canvas 46 x 101 cm |
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Jean Baggaley Expansive Aspect Oil & collage on canva 40 x 96.5 cm |
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Jean baggaley Urban Disparity Oil on canvas 76 x 108 cm triptych |
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Jean Baggaley Urban Waterside Oil on canvas 61 x 122.5 cm diptych |
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Jean Baggaley Accessible Divergence Oil & collage on canvas 91 x 193 cm |
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Neville Pilven Goldfire I Mixed media on paper 38.5 x 48 cm |
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Neville Pilven Crop Fire I Mixed media on paper 40 x 59 cm |
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Neville Pilven Crop Fire II Mixed media on paper 51 x 64 cm |
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Neville Pilven Crop Fire III Mixed media on paper 38.5 x 48 cm |
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Neville Pilven Fire & Dam Mixed media on paper 49 x 58.5 cm |
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Neville Pilven Evening Viaduct I Mixed media on paper 66 x 45.5 cm |
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Neville Pilven Gold Dam Mixed media on paper 52 x 67 cm |
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Neville Pilven Burning Tank Mixed media on paper 41 x 61 cm |
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Neville Pilven Green Fence Mixed media on paper 53 x 60 cm |
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Neville Pilven Viaduct & Burnt Landscape Mixed media on paper 56 x 75 cm |
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Neville Pilven Evening Viaduct II Mixed media on paper 50 x 70 cm |
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Neville Pilven Paddock Image Mixed media on paper 51.5 x 70 cm |
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Neville Pilven Hill Fire Oil on board 30 x 41 cm |
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Neville Pilven Field,Fire & Smoke Mixed media on paper 60 x 48 cm |
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John Waterhouse Bush Fragment I Acrylic on paper 36 x 52 cm |
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John Waterhouse Bush Fragment II Acrylic on paper 49 x 35 cm |
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John Waterhouse Bush Fragment III Acrylic on paper 35 x 50 cm |
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John Waterhouse Reverie Mixed media on paper 35 x 49 cm |
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John Waterhouse The Deep Acrylic on canvas on board 75 x 75 cm |
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John Waterhouse Pending Acrylic on paper 44 x 57 cm |
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John Waterhouse Jubilate Acrylic on paper 44 x 57 cm |
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John Waterhouse Contemplation I Acrylic on paper 45 x 58 cm |
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John Waterhouse Contemplation II Acrylic on paper 45 x 58 cm |
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John Waterhouse River Murray II Acrylic on canvas on board 51 x 51 cm |
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