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© 2004 Pollock Gallery
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Ex Nihilo Oil on canvas 98 x 170 cm |
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Antiphon Oil on canvas 72 x 152 cm |
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Colpa Oil on canvas 190 x 145 cm |
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Slver Fountain Oil on canvas 184x 132 cm |
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Harmonia Oil on canvas 165 x 130 cm |
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Feux Limbo Oil on canvas 110 x 110 cm |
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The Edgeless Above Oil on canvas 120 x 120 cm |
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The Lookdown Oil on board 116 x 94 cm |
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Vagabond Emissary Oil on canvas 62 x 92 cm |
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Liberium Landscape ii Oil on Board 62 x 100 cm |
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Vagabond Emissaries Oil on board 40 x 100 cm |
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Limbo Study iv (Bungonia) Oil on canvas 45 x 35 cm |
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Salvific Study iii Oil on gessoed card 31 x 38 cm |
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Flight of Pelagius Oil on gessoed card 26 x 32 cm |
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Salvific Study i Oil on gessoed card 36 x 28 cm |
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Liberium Landscape iv Oil on gessoed card 117 x 74 cm |
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Steve Lopes is regarded as
one of the country’s most promising young figurative painters. Pollock Gallery is
proud to present his poetic peopled landscapes.
Inspired by Australia’s
landforms, he plants his contemporary figures in an alien landscape where the
inhabitants come filled with hope, often in the processes of regenerative
cathartic actions or in various symbolic meditative states. Though they may
appear to be overawed by their surroundings, they exhibit a quiet charm. These
distinctive works are imbued with a large investment of labour and skill which
has made them readily recognisable and highly collectable.
Even though he was
born in Sydney Steve carries a deep sense of his heritage and culture that
imbeds itself into the landscapes he chooses for the backgrounds of his
paintings. They are important to him and important to his pictures.
Nothing in Steve
Lopes’s work is chance except perhaps a dribble of paint or a brushstroke that
has created an interesting and unexpected effect.
His work is always
thematic and he is the director, imagining scenes. The ideas are formulated and
through a process of growth are developed into real situations. But are they?
With a fleeting
glance Steve’s imagery seems relatively normal, but his works need more than
just a cursory glance. Further scrutiny reveals some peculiarities that
provokes a multitude of questions. Why is that figure looking this way, what is
that man doing. The list of puzzlements goes on and on. Then he throws a few
more curly ones in the mix and changes the scale of something or someone .
There is a dark
side to Steve Lopes’s work but it is balanced with a light that has an
underlying sense of optimism, of regrowth and a positive message that engages
the viewer.
Lopes has consistently
attracted the attention of critics and collectors alike with his rich subject matter.
He has an impressive list of awards and exhibition history and has been
selected in numerous prestigious national juried shows.
He was a finalist in the
2003 $40,000 Metro 5 Art Prize, has been shortlisted twice in the Brett
Whiteley Travelling Art Scholarship by the AGNSW, was exhibited in the
Archibald Salon de Refuses in 2000 and 2001, and his work toured nationally in
the same years in the Doug Moran Portrait Award. Steve had 2 works selected as
“finalist” in the 2006 Doug Moran National Portrait Prize, this is the first
time in the history of the Moran Prize that an artist has had 2 works selected
as “finalists” !
Steve Lopes trained at
Sydney’s College of Fine Art and in 1998 returned from two years’ study in
London where he was twice named in the
top young artists under 30 in Britain by the Royal Institute of Oil Painters,
exhibiting at the Mall Galleries.
Steve Lopes
Artist Background
Born in
Sydney, Australia, 27.5.71
2004 & 05 Private study with Peter Howson,
Glasgow
1998
The London Print Studio, UK (lived
and worked in London 1997-98)
1991 New York Art Students League, USA
1988-91
Bachelor
of Arts in Fine Arts,
University of New South Wales, Sydney
Solo Exhibitions
2007 Pollock Gallery, Melbourne
‘Ex Nihilo’ Michael Carr Gallery, Sydney
2006 ‘Bundanon Paintings’, Harrison Galleries, Sydney
‘Visitations’, Pollock Gallery,
Melbourne
‘Silver Valley’,
Gallery 482, Brisbane
2005 ‘Passage’, Brian Moore Gallery, Sydney
‘Here or There’, Pollock Gallery,
Melbourne
2004 ‘Elemental Man’, Gallery 482, Brisbane
‘Ambergris’, Brian Moore Gallery, Sydney
2003 ‘Regeneration’, Pollock
Gallery, Melbourne
2002 ‘Introduced Species’,
Gallery 482, Brisbane
2000 ‘The Arrivals’, Gallery
Savah, Sydney
1996 ‘Access’, Toast II
Contemporary Art Gallery, Sydney
Selected Exhibitions & Awards
2007 Kilgour Figurative Art
Prize finalist, Newcastle Regional Gallery
2007 Conrad Jupiters Art Prize finalist,
Gold Coast City Art Gallery
2007 Painting 2007, group show,
John Gordon Gallery, Coffs Harbour NSW
2006 Bundanon Residency, Arthur
Boyd Studios, Bundanon, NSW
2006 Doug Moran finalist (two
works selected), National Tour
2006 & 04 Kedumba Invitational Drawing Award,
finalist
2005 London Art Fair, Battersea,
Farmillo Fiumano Gallery, London
2005 ‘Art on Paper’, Hazelhurst
Art Award, finalist
2004, 01 & 00 Archibald Salon de Refuses, S.H. Ervin
Gallery, Sydney
2004 ‘Arte di Ritorno’, Berio
Gallery, Genoa, Italy
2003 Metro 5
Art Prize finalist, Metro 5 gallery, Melbourne
Shirley Hannan National Portrait Prize finalist, Bega Regional Art
Gallery
SCEGGS
Art Show, Sydney
Brian
Moore Memorial Exhibition, Sydney
2002
‘Small Gems’, Metro 5 gallery, Melbourne
Brian Moore Gallery, ‘Naked’ &
‘Gallery Artists Exhibition’, Sydney
Jacaranda Drawing Prize finalist, Grafton
Art Gallery
Waverly City Art Award finalist, Sydney
2004, 03, 02, 01 Hills Grammar Award finalist, Kenthurst,
Sydney
2002, 01 & 99 Mosman Art Award finalist, Sydney
2001 Alice Art Prize finalist, The
Araluen Centre, Alice Springs
Conrad Jupiters Art Prize finalist, Gold
Coast City Art Gallery
2001 & 2000 AGNSW Brett Whiteley Travelling Art
Scholarship finalist
2000 Doug Moran Portrait Prize
finalist, National Tour
Lloyd Rees Youth Art Award finalist,
Atrium Gallery, ABC Centre
Shell National Print Awards finalist,
Fremantle, WA
1999 Alice Bale Awards finalist,
Glen Eira Gallery, Caulfield, Melbourne
1999, 01 & 03 Carnivale Arts Festival, Artists on Norton,
Sydney, first prizes
1998
Royal Institute of Oil Painters, Mall Galleries, London
1997
Royal Institute of Oil Painters, Young Artist Award,
Mall Galleries, London
1997 Sothebys Art Auction, New
York, drawings
1996
‘Access’, Toast II Contemporary Art Gallery, Sydney
1995
Orange Regional Gallery, NSW
1991
University of New South Wales, College of Fine Arts Graduates Exhibition
National
Gallery of Australia, Canberra; BHP Billiton, Art Collection Australia;
Bundanon Collection; New South Wales State Library, Sydney; University of Wollongong Art Collection; The University of
Melbourne Library; Time Warner, New York; Rolls Royce, London; British Biotech,
London; Psion Communications, London; Cable & Wireless, UK; Private collections in Australia, UK, Italy
and USA
Jill
Stowell, Kilgour’s Debut, Newcastle Herald, December 16, 2006
Alison
Harper, Art Market News, The Australian Art Market Report, Issue 16, Winter
2005
Alexandra
Wilcox, The art of
making money out of art, (listed as top 10 investment artist) The Herald Sun,
6 March 2005, p6
John McDonald, In love
with Archibald, The Financial Review, 1 April 2004
Patricia Anderson, Faces in
the crowd, The Weekend Australian, April 10 2004
Paul Flynn, Passage
catalogue, 22 pages, July 2005
Valerie Lawson, A Judge of
Character, The Sydney Morning Herald, 13-14 March 2004
Dominique Angeloro, Critic's
Picks, The Sydney Morning Herald, 12 March 2004
Alice McCormick, Tiny
Paper Walls, The Australian Art Market Report, Issue 11, Autumn 2004
The Australian Art Market Report, front cover image, Issue
10 Summer 2004
Phil Brown, Burning Passion,
Brisbane News, July 15 2004
Geoff Elliott, Marketwatch,
The Australian, 3 March 2004, p25
Andrew Taylor, Spotlight
Review, The Sydney Morning Herald, 23 Feb 2005, p11
Tom Gilling , Ambergris,
Paintings of Steve Lopes, The Artisan Press, 62 page book, 2004
International Artist
magazine, figure painting special, page 84 2004
The Australian Art Market
Report, front cover image, Summer Issue, Dec 2003
The Age, News Section, May
25, 2002
Artist’s Palette magazine,
10-page feature article, July 2000
Joyce Morgan, Drawn Hung and Quartered, Sydney
Morning Herald, 3-page Summer Times artist profile,
January 5,
2000
Sebastian Smee, Sydney Morning Herald, Metro (review)
feature, April 5, 1996
Angus Fontaine, Daily Telegraph, Arts profile piece,
March 28, 1996
